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3D Digital Sculpting & Digital Painting Software

Autodesk® Mudbox™ 3D digital sculpting and digital painting software gives you the freedom to create production-ready 3D digital artwork without worrying about the technical details.

Designed by professional artists from the game, film, television, and design industries, Mudbox combines an intuitive user interface with a powerful creative toolset of stencils and brushes for ultrarealistic 3D character modeling, engaging environments, and stylized props. Available for Mac®, Microsoft® Windows®, and Linux® operating systems. Watch the Mudbox 2012 video.

World-class 3D sculpting toolset—Fast, smooth, and accurate results.

Paint directly onto high-resolution 3D models—See results immediately.

Paint multiple material channels—Powerful toolset for painting and viewing textures across multiple high-resolution maps.

Texture baking—Create accurate normal, displacement, and ambient occlusion maps.

Interactive display—Render quality results directly in the viewport.

3D layers—Experiment with design concepts and easily make revisions.

Seamless integration—Round-trip data with products in the Autodesk® Entertainment Creation Suites 2012, and enjoy enhanced compatibility with Adobe® Photoshop® software.

In-product community—Access a library of free design tools.

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The Autodesk Maya Entertainment Creation Suite Premium 2012 offers exceptional value in a production-proven package for 3D modeling, digital sculpting, texture painting, animation, effects, rendering and compositing.

The Maya Entertainment Creation Suite Premium includes Autodesk Maya software, plus Autodesk Softimage, Autodesk Mudbox, and Autodesk MotionBuilder software for maximum creativity and production efficiency.

Explore creative ideas, meet challenging production demands, and exceed audience expectations with:

- Powerful 3D modeling, animation, effects, rendering, and compositing tools

- Intuitive, organic modeling, texturing, and painting software

- Real-time character animation and motion editing software

- Specialized tools for creating complex effects and sophisticated facial setups

Transfer assets quickly, collaborate more efficiently, and increase animation pipeline effectiveness.

Autodesk FBX data interchange technology enables the exchange of rich animation or 3D scene data between Autodesk products in the suite.

Autodesk® MotionBuilder® 2012 software delivers new tools for virtual movie-making, performance animation, and stereoscopic productions, and enhanced interoperability with other products in the Autodesk® Entertainment Creation Suites 2012.

New features in MotionBuilder 2012 include:

Stereo Support: Author and view stereoscopic content in MotionBuilder, with the new in-viewport stereoscopic display and camera rig. Camera data can be exchanged with Autodesk® Maya® 2012, Autodesk® Flame® 2012, and Autodesk® Smoke® 2012 software via Autodesk® FBX® 2012 asset exchange technology.

Single-Step Interoperability: Enjoy a more seamless workflow that leverages multiple Autodesk Entertainment Creation Suite products, with new single-step interoperability between MotionBuilder 2012, Maya 2012 or Autodesk® 3ds Max® 2012 software.

Enhanced UI Scheme: An enhanced, dark-colored UI scheme brings a modern look to MotionBuilder, consumes less screen real-estate, and provides greater consistency with other products in the Autodesk Entertainment Creation Suites.

F-Curve Editor Enhancements: Enjoy some of the best features from the f-curve editors within each of the products in the Autodesk Entertainment Creation Suites 2012, combined into a toolset that offers more consistent functionality and terminology—so you can switch more easily between products.

HumanIK Unification: Working with characters in both MotionBuilder 2012 and Maya 2012 is now easier, with an enhanced interface, unified solver and more consistent workflows for HumanIK® technology.

Live Video In: Stream reference video from a motion capture session directly into MotionBuilder and recorded simultaneously with the motion capture data on a per-take basis.

Audio Per Take: More easily deal with multiple animation variations that each have associated audio, with the ability to handle separate audio files per take.